News

Remembering a community’s loss and celebrating its enduring spirit: the Whittlesea Bushfire Memorial is open to the public

The devastating bushfires of Black Saturday will long be remembered for their scale and ferocity, the worst in Australia’s history. This was also a very personal, local tragedy for the Whittlesea community, with enduring impact. Designed by Hatchling Studio, The Whittlesea Bushfire Memorial is a reflective space in memory of the tragedy of Black Saturday, 2009. It was officially opened by Danielle Green MP, Member for Yan Yean Saturday 24 October, Toorourrong Reservoir Park. This place of remembrance is dedicated to those from Whittlesea whose lives were lost in the fires.

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We won the tender to design the memorial and develop interpretive content back in 2012. The granite pod form alludes to native seeds that propagate only after intense wild fires, with seeds dispersing from the pod and into the pond symbolising new life and regeneration. From the outset, I rejected the role of artist-author in preference for creating a platform for the community to author their own stories. In lieu of a didactic narrative, the memorial presents a thematic arrangement of text and image generated by the community to evoke the experience of the fires and their aftermath.

A ‘narrative wall’ presents themes of fire, loss and the community spirit through image and text, while a ‘memorial wall’ is dedicated to remembering loved ones lost in the fires. The memorial space embraces the visitor, offering a sanctuary for private remembrance and shared stories.

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The development process has had a number of hurdles, mostly relating to the redevelopment of the Toorourrong Reservoir Park, which was a huge project for Parks Victoria. I’m very pleased to be able to announce that the memorial and the park are now open to the public. Community members that I’ve spoken with have expressed great appreciation that the memorial is finally complete.

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My deepest thanks go to the Project Working Group, who selected our design concept and steered its development and the Word Weavers writing group, who bravely shared their heart rending memories, raw emotions and tragic experiences, some of which are represented in the narrative wall text. I’m grateful to the members of my design team, for their expertise, collaboration and friendship through such a long project: David Gargiulo (illustration and design documentation), Dianna Wells (graphic design) and Hamish Coates (landscape design). I’d like to thank Ralph Mertins and Emma Bennet from Whittlesea Council for all their work in getting the project moving and seeing it through to completion.

The Whittlesea community is amazingly warm and resilient and I hope that the memorial supports those affected by the devastation of Black Saturday in remembrance and recovery.

Toni

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Photography by Toni Roberts and Dianna Wells.

 

Hatchling ceramics at Craft Hatch August 9

Craft Victoria’s Craft Hatch showcases emerging makers and those new to selling their wares. I will be selling my ceramics at this year’s makers market on Sunday 9th August at 1000 Pound Bend, so please pop in!

The cafe will be serving food all day and it will be a great place to hang out no matter what the weather is like.

 

Sunday 9 August 2015
10am – 4pm
1000 Pound Bend
361 Little Lonsdale Street
MELBOURNE VIC 3000

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Paper published in MMC

Those in the museums / zoo / interpretation fields may be interested in my paper that has just been published in Museum Management and Curatorship entitled, “Factors affecting the role of designers in interpretation projects“. It is available via Taylor and Francis here  or for up to 50 downloads on my Academia page here.

Abstract:

The application and significance of what is commonly known as interpretation design is increasing as museums and other cultural institutions seek to attract, educate and engage visitors, yet the field remains under-examined in relation to its methods,
management and outputs. Institutional practices outside the mainstream museum sector have often not kept pace with interpretation design’s role, and museum professionals often lack understanding of design and experience in its management.
Research into practice and articulation of the designer’s knowledge supports the optimal contribution of design expertise. Based on interviews with practitioners, the
paper examines the factors that influence the role of consultant interpretation designers. Timing of engagement, sequencing of contracts and client understanding of interpretation design emerge as the key factors that affect the scope and clarity of the designer’s role and effective application of their expertise. The paper argues that
interpretation design by external consultants can be more strategic and effective when supported by appropriate project structures.

Open for business!

The Hatchling Studio shop is now open. I have put up some ceramics and more are on the way, so make sure to visit regularly. You can link to my Big Cartel shop directly here or via the studio ceramics page.

Please share with your friends!

Toni

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Mint project Highly Commended in the MAGNAs!

The Royal Australian Mint Factory Viewing Gallery project was Highly Commended in the Museum and Gallery National Awards (MAGNAs) this month. It is wonderful to get this recognition for all the hard work that went into the project. Thanks to all involved.

More about the project here and here.